Three giants of all life ages carrying the world designed 1895 in the then requested style of Historicism by Prussian sculptor Ernst Wenck who later went on to become a member of the Berlin Secession.
On the sides flanked by allegories of transportation and science having each their companion pointing to the emblem in the middle depicting the imperial eagle, making clear who enables them to strive. Originally the Continue reading →
This is my great-grandfather Hessan and it is the only image I think ever existed of him. I just recently came to view it when my mother sent the picture on my phone. Probably she saw the photograph also for the first time. Who knows where she discovered it after all these years. Continue reading →
This is the Hotel Zum Roten Bären in Freiburg. It is supposedly the oldest inn of Germany. After suffering damages through WWII the hotel got renewed. In the 50s the exterior was painted in a historic style depicting rhomb shapes and coat of arms from former inn keepers. For the paint mineral colors were used which will stay vivid with just minor upkeep.
At Christmas I got to visit the beautiful city of Freiburg. It is located right at the Black Forrest and holds a lot of nicely restored historic buildings. The streets in the city center are still structured in Continue reading →
On sunday the exhibition Death Becomes Her, a century of mourning attire at MET Museum’s Costume Institute closed its gates.
It had a great line up of frocks and dresses showcasing various states of mourning. It was much more complicated back then. Which added to the difficulties for the mourner as to maintain etiquette a certain wealth was required. Black dyed fabric was not easily achieved in production and therefore expensive. And let’s not even talk about how expensive treatment of silk was in order to acquire the demanded texture.
The collection even showed gowns of Queen Victoria (she was a small creature. Very very small) and Queen Alexandra! I was amazed how well curated the exhibition was and in what great condition the gowns are. I mean, I could not detect one single flaw! Either there must be a hell of a conservator or up there in New York they just know how to preserve fabrics from the beginning like no one else. It was a life time wish for me to visit the Costume Institute but at first I was a little disappointed for there was not a more current exhibition. There is nothing comparable here in Germany concerning fashions. I had seen here and there a court dress or so being part of bigger exhibitions about Napoleon or the period of Louis XVI. and had hoped to see some iconic YSL or Mcqueen when I would finally be able to visit NYC. At closer look then I became glad though, because of the aforementioned great condition. If it happens that original clothing of by gone eras gets included in exhibitions here, they very often have a more raggedy appeal, the silks all lackluster and white frills already in hues of decaying yellow. I don’t blame anybody as fabric is really hard to maintain. Till today it is the case that during the life of the owner and after his death clothes are mostly not considered worthy of preservation.
My visit was a great experience and I examined each piece eagerly.
Especially the accessory and jewelry corner, curated by the iconic Iris Apfel and her husband Carl (a sweet article in German click here) was a delight. It’s a long time I am fascinated with Victorian era hair jewelry and this was my chance for a close look. Above a true piece of beauty and craftsmanship in gold and pearls.
Enjoy the pics dear readers as the chance to take a look by yourself won’t be possible for now. Or head over to the MET site for photographs in high res and further information including an interesting lecture about this subject held by assistant curator Jessica Regan in video. // All images by me unless otherwise stated and made with Iphone 5. Thanks goes to the MET Museum for that it is allowed to take pictures in this free manner.